Thursday, 30 June, 2011

The Fruixi: good eats, good bikes and great potential slapstick

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Fresh food on the move

Montreal’s open air markets are blooming and going mobile

by MATT JONES

June 23, 2011

PEDAL-POWERED PRODUCE: Fruixi Photo by GUILLAUME DARNAJOU
PEDAL-POWERED PRODUCE: Fruixi
Photo by GUILLAUME DARNAJOU
Bad eaters of Montreal beware! You may be running out of excuses to justify your diet of Pogos, poutine and 99-cent pizza. This summer, farmers’ markets selling locally grown fruit and veg will be popping up everywhere you turn. And if that’s not enough, meet the Fruixi. A bicycle-drawn mobile fruit stand, it’s everything you hated about smarmy Bixi riders and killjoy vegetable enthusiasts rolled into one. So if you’re reading this while dripping choucroute onto the pages from the three steamés you bought for a dollar and tried to consume in a single mouthful, maybe it’s time you put the dog down and paused to consider the merits of organic produce.

Thursday, 16 June, 2011

Where are they now? Jaggi Singh and Philippe Duhamel

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from le temps qui fuit
Ten years ago, in the lead-up to the protests at the Summit of the Americas in Quebec City, Jaggi Singh and Philippe Duhamel represented polar opposites of the debate over protest tactics. While Duhamel's Operation SalAMI insisted on total non-violent civil disobedience, Jaggi and the CLAC argued for confrontation with the security perimeter using a "diversity of tactics." Some of us tried to have the best of both worlds: I marched with the Groupe opposé au mondialisation des marchés, who wanted to build the kind of broad-based movement against the summit that Duhamel had in mind, but also wanted to confront the fence like the CLAC, albeit it in a slightly less arrest-provoking way.

In a weird coincidence, I interviewed the two of them this week about campaigns they're working on. Kind of makes for an accidental where-are-they-now moment.

Wednesday, 15 June, 2011

cast pictures

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First cast picture for Rob Ford and the Mysterious Case of the Flying Anarchist

Friday, 10 June, 2011

Pyongyang

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Just read Guy Delisle's Pyongyang. Why is this piece of latter-day orientalism such a respected graphic novel? Delisle goes to North Korea, lives among ex-pats, doesn't get to know any Koreans and, not surprisingly, decides they're all crazy, naïve and decidedly unhip. 

Delisle scores points by ridiculing the absurd dynasty of Kim Il-sung and Kim Jong-il, but he does so from such a smarmy privileged perspective that he comes off as an obnoxious tourist. He is not only irritated by the constant propaganda of the regime, but also with people’s bad taste. Their music is weird and they have never heard of Daft Punk. There aren’t enough shopping malls, clubs or good restaurants. Why aren’t they more like us? Their attempts at ostentation are undermined by their lack of cash: he is dismayed that the marble walls of a museum are adorned “with light switches in cheap plastic housing.” How uncivilized!

The book neatly demonstrates a point Slavoj Žižek makes about ideology. Delisle wants to show us that North Koreans are, in his not subtle terms, brainwashed by the ruling ideology. This form of ideology works like the phrase: “They don’t know they’re doing it, but they’re doing it.” If they would only listen to Delisle, they would wake up, realize what they are doing and stop it.

But Delisle himself is submerged in what Žižek would call postmodern ideology. Imagining himself to be beyond ideology, Delisle is even more submerged in normative Western liberal values. By then end of the book the Koreans are well aware that he won’t be convinced about the greatness of their country, but he becomes increasingly evangelical in his exhortations to them about the value of free speech, democracy and free market prosperity.

Delisle’s main flaw is that he caricatures North Koreans on the basis of the officials he interacts with, who are guides and translators, in other words, people trained to present the regime’s official face to the outside world. I’m sure it’s not easy to find dissidents in the country, especially when you don’t speak the language, but it’s strange to imagine they don’t exist.

Bloody Cars

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Car still king, daddy-o


The Turcot project’s foes claim the new plan for replacing the aging interchange is something straight out of the 1950s

June 2, 2011

THINKING AHEAD: Mobilisation Turcot’s Pierre Brisset (L) and Shannon Franssen Photo by MICHEAL MEAULIEU
THINKING AHEAD: Mobilisation Turcot’s Pierre Brisset (L) and Shannon Franssen
Photo by MICHEAL MEAULIEU
The 50s get a bad rap. Occasionally we remember the innovations that produced rock music, meat-and-Jell-O dishes and eerily un-self-conscious horror movies, but mostly the decade gets marched out as a metaphor for a naïve time when the sexes stuck to their own spheres, communists were intent on destroying our way of life and the automobile reigned supreme. Such is the criticism currently being levelled against the Quebec government and the Tremblay administration for their plans to reconstruct the Turcot interchange in St-Henri. “This whole project is based on principles that were maybe modern in the 1950s but are completely retro in 2011,” says Shannon Franssen, spokesperson for Mobilisation Turcot, a coalition of organizations that want to see a more environmentally friendly plan for the interchange.